{"id":2739,"date":"2013-11-18T01:00:15","date_gmt":"2013-11-18T01:00:15","guid":{"rendered":"http:\/\/5.189.155.120\/~shqipo\/?p=2739"},"modified":"2018-03-20T09:12:58","modified_gmt":"2018-03-20T09:12:58","slug":"arti-shqiptar-bizantin-2","status":"publish","type":"post","link":"https:\/\/shqip.al\/arti-shqiptar-bizantin-2\/","title":{"rendered":"Arti shqiptar bizantin"},"content":{"rendered":"

\"\"(Periudha mesjetare shek. XIII-XVI)(pjesa e I-r\u00eb)<\/p>\n

Pak njihen si vepra arti dhe konkretisht si afreske dhe tablo me vlera t\u00eb m\u00ebdha artistike edhe pse kishat ku ato ndodhen jan\u00eb t\u00eb njohura p\u00ebr njer\u00ebzit e interesuar pas kultur\u00ebs dhe trash\u00ebgimis\u00eb shqiptare. N\u00eb k\u00ebt\u00eb shkrim p\u00ebrve\u00e7 artit t\u00eb koh\u00ebs s\u00eb periudh\u00ebs mesjetare, e cila sh\u00ebnon edhe fillimet e piktur\u00ebs son\u00eb do t\u00eb paraqesim edhe nga afresket m\u00eb t\u00eb famshme, temat q\u00eb ato trajtojn\u00eb dhe rrethanat n\u00eb t\u00eb cilat jan\u00eb b\u00ebr\u00eb. T\u00eb gjitha k\u00ebto p\u00ebrb\u00ebjn\u00eb nj\u00eb krenari p\u00ebr ndjenj\u00ebn komb\u00ebtare shqiptare<\/p>\n

Gjat\u00eb mesjet\u00ebs, arkitektura dhe piktura n\u00eb Shqip\u00ebri bashk\u00ebjetuan n\u00eb nj\u00eb unitet t\u00eb plot\u00eb stilistik. Muret e trash\u00eb e masiv\u00eb t\u00eb shumic\u00ebs s\u00eb tempujve kristian\u00eb e humbasin p\u00ebrshtypjen e pesh\u00ebs reale nga zbukurimet e sajuara prej kombinimit me fantazi t\u00eb motiveve t\u00eb ndryshme prej tulle. Si nj\u00eb qilim i endur me mozaik\u00eb duken p.sh. muret e kish\u00ebs n\u00eb Mesopotam t\u00eb Delvin\u00ebs, margaritarit t\u00eb rivier\u00ebs shqiptare, af\u00ebr Sarand\u00ebs. Nj\u00eb si qilim tjet\u00ebr, akoma edhe m\u00eb madh\u00ebshtor me piktura vesh tejmban\u00eb pjes\u00ebt e brendshme t\u00eb tempujve.<\/p>\n

Dhe ndon\u00ebse kurdoher\u00eb e kudo i qendrohet besnik ikonografike bizantine e p\u00ebrcaktuar rigorozisht, nj\u00eb pasuri e t\u00ebr\u00eb stilesh e nuancash t\u00eb panum\u00ebrta takohen brenda pikturave murale, fragmente t\u00eb t\u00eb cilave ruhen q\u00eb nga shek.X. N\u00eb piktur\u00ebn e hershme mesjetare u p\u00ebrdor n\u00eb shkall\u00eb t\u00eb gjer\u00eb ansambli i thurur me mozaik\u00eb, q\u00eb aq shpesh ndeshet n\u00eb godinat antike t\u00eb vendit ton\u00eb, duke mbuluar tejmban\u00eb dysheme t\u00eb gjera. Doemos q\u00eb n\u00eb faz\u00ebn kalimtare, piktura mesjetare, m\u00eb shum\u00eb u mb\u00ebshtet n\u00eb p\u00ebrvoj\u00ebn e frutshme t\u00eb s\u00eb kaluar\u00ebs, se sa u p\u00ebrpoq t\u2019i b\u00ebj\u00eb ndryshime regjistrit t\u00eb p\u00ebrgjithsh\u00ebm t\u00eb trash\u00ebguar. Megjithat\u00eb tradita e p\u00ebrvet\u00ebsuar mir\u00eb nga mjeshtri mesjetar, kurdoher\u00eb u p\u00ebrdor p\u00ebr t\u00eb p\u00ebr\u00e7uar p\u00ebrmbajtjen simbolike e dogmatike kristiane.<\/p>\n

\"\"Shprehjet spirituale larg antikitetit<\/strong><\/p>\n

P\u00ebr her\u00eb t\u00eb par\u00eb stili i ri shfaqet n\u00eb mozaikun mural t\u00eb faltores s\u00eb vog\u00ebl t\u00eb adaptuar n\u00eb amfiteatrin e qytetit antik t\u00eb Durr\u00ebsit. Mozaiku paraqet nj\u00eb sken\u00eb perandorake t\u00eb realizuar me gur\u00eb natyror\u00eb dhe mozaik\u00eb qelqi t\u00eb zmaltuar me ngjyra t\u00eb gjalla e t\u00eb freskta. \u00cbsht\u00eb punuar me dor\u00eb t\u00eb lir\u00eb e pa kurfar\u00eb sforcimi, po n\u00eb nj\u00eb kompozim t\u00eb mbyllur pa prespektiv\u00eb, me figura t\u00eb stilizuara n\u00eb baz\u00eb t\u00eb idealit estetik bizantin, p\u00ebr bukurin\u00eb e njeriut q\u00eb largohet shum\u00eb nga ai i antikitetit. Gjith\u00e7ka ik\u00ebn me shpejt\u00ebsi nga bota e v\u00ebrtet\u00eb. Figurat duken si pa jet\u00eb, si hije t\u00eb figurave reale por me nj\u00eb shprehje spirituale t\u00eb theksuar.<\/p>\n

Zhvillimin e shpejt\u00eb e t\u00eb lart\u00eb t\u00eb piktur\u00ebs s\u00eb hershme monumentale t\u00eb realizuar me teknik\u00ebn e fresk\u00ebs mund ta ndjekim n\u00eb piktur\u00ebn e shpellave eremite. T\u00eb hapura n\u00eb vende t\u00eb ashpra, por piktoreske, larg q\u00ebndrave t\u00eb banuara, ato kan\u00eb mundur t\u2019i shp\u00ebtojn\u00eb dor\u00ebs s\u00eb pushtuesve e grabit\u00ebsve apo fuqive shkat\u00ebrrimtare t\u00eb natyr\u00ebs, fat, t\u00eb cilin nuk e kan\u00eb pasur shum\u00eb kisha e manastire t\u00eb k\u00ebtyre shekujve. Piktura e shpellave shqiptare t\u00eb ngjall interes si p\u00ebr origjinalitetin ikonografik, me paraqitjen e shum\u00eb skenave t\u00eb pazakonshme p\u00ebr Bizantin sikur jan\u00eb, Krishti me tri pamje, skena Melizmos etj, ashtu edhe p\u00ebr vlerat e larta estetike q\u00eb p\u00ebrmban n\u00eb vetvete. N\u00eb piktur\u00ebn e shpell\u00ebs s\u00eb Bllashtojn\u00ebs shek. XII vijat l\u00ebvizin me nj\u00eb siguri t\u00eb \u00e7uditshme mbi at\u00eb cop\u00eb shk\u00ebmbi paksa t\u00eb suvatuar.<\/p>\n

Duke reflektuar stilin m\u00eb t\u00eb lart\u00eb t\u00eb piktur\u00ebs s\u00eb formuar bizantine. A nuk mund t\u00eb dilet s\u00eb k\u00ebtejmi n\u00eb p\u00ebrfundimin logjik se, kur n\u00eb nj\u00eb shpell\u00eb t\u00eb larg\u00ebt e t\u00eb humbur hasim kualitete t\u00eb tilla t\u00eb larta po kaq, n\u00eb mos m\u00eb t\u00eb larta, duhet t\u00eb ken\u00eb qen\u00eb pikturat e kishave dhe manastireve t\u00eb qyteteve q\u00eb, si\u00e7 dihet, kudo e kurdoher\u00eb, i kan\u00eb paraprir\u00eb piktur\u00ebs s\u00eb shpellave? Lidhjen n\u00eb mes t\u00eb pikturave t\u00eb shpellave eremite dhe t\u00eb artit qe realizuan mjeshtrit e kategorive m\u00eb t\u00eb larta n\u00ebp\u00ebr qytete e pikasim edhe n\u00eb p\u00ebrs\u00ebritjen e asaj tradite q\u00eb fillon me mozaikun e Durr\u00ebsit e vazhdon n\u00eb shekujt e m\u00ebvonsh\u00ebm, p\u00ebr t\u00eb paraqitur pran\u00eb figurave hyjnore edhe figura reale. P\u00ebrfaq\u00ebsuesit e pushtetit laik e fetar t\u00eb provinc\u00ebs, sipas shembullit t\u00eb perandorit e t\u00eb oborrtar\u00ebve t\u00eb lart\u00eb t\u00eb kryeqytetit, e p\u00ebrjet\u00ebsuan vetveten mes figurave hyjnore.<\/p>\n

N\u00eb piktur\u00ebn e shpell\u00ebs s\u00eb Letmit, n\u00eb t\u00eb dy krah\u00ebt e dhuruesit t\u00eb kish\u00ebs, radhiten edhe shtat\u00eb pjestar\u00ebt e familjes s\u00eb tij n\u00eb poz\u00eb lut\u00ebse me duar t\u00eb \u00e7uara p\u00ebrpjet\u00eb nga sh\u00ebn M\u00ebria dhe pantokratori.<\/p>\n

\"\"Si jan\u00eb trajtuar figurat laike<\/strong><\/p>\n

Figurat laike jan\u00eb trajtuar si nj\u00eb brez dekorativ n\u00eb miniatur\u00eb dhe mezi sa shquhen. Autori i tyre Stano, i vetmi freskist q\u00eb njohim deri n\u00eb periudh\u00ebn e pushtimit turk, nuk mund t\u00eb radhitet nd\u00ebr piktor\u00ebt e dor\u00ebs s\u00eb par\u00eb, por padyshim ai e njeh mir\u00eb artin e stilit t\u00eb formuar bizantin. P\u00ebrmbas naivitetit dhe trajtimit skematik t\u00eb figurave dallojm\u00eb nj\u00eb ekspresivitet t\u00eb madh. Me an\u00eb t\u00eb vizave lakonike e t\u00eb qarta. Stano ka ditur t\u00eb jap\u00eb modelin dhe eleganc\u00ebn e veshjeve t\u00eb trupit e t\u00eb kok\u00ebs, e sidomos t\u00eb m\u00ebngoreve, me ato motive popullore q\u00eb hasen edhe sot n\u00eb qendisjet e k\u00ebsaj krahine. K\u00ebto element\u00eb etnografik\u00eb q\u00eb v\u00ebrejm\u00eb n\u00eb piktur\u00ebn e shpellave, jan\u00eb pjes\u00eb organike e asaj linje jet\u00ebsore dhe realiste.<\/p>\n

Mbi nj\u00eb cop\u00eb shk\u00ebmb t\u00eb fshatit Kallmet pran\u00eb Lezh\u00ebs, vendvarrimit t\u00eb heroit komb\u00ebtar Gjergj Kastriot Sk\u00ebnderbeut, ruhet nj\u00eb fragment pikture q\u00eb paraqet martiren Eufcmi, t\u00eb hasur shum\u00eb rrall\u00eb n\u00eb ikonografin\u00eb ton\u00eb. Shprehja thell\u00ebsisht spirituale e fytyr\u00ebs s\u00eb heshtur t\u00eb kujton sakaq pamjen e p\u00ebrvuajtur t\u00eb nj\u00eb asketi q\u00eb Bizanti e kultivoi me endje deri n\u00eb fund t\u00eb ekzistenc\u00ebs s\u00eb tij.<\/p>\n

Piktura e Kallmetit mbart tipare t\u00eb atilla artistike q\u00eb e lidhin ngusht\u00ebsisht si me traditat paraardh\u00ebse t\u00eb mozaikut ashtu dhe me ato t\u00eb freskave t\u00eb m\u00ebpastajme. Gama p\u00ebrgjith\u00ebsisht e shuar e ngjyrave \u00ebsht\u00eb jehon\u00eb e mozaikut t\u00eb von\u00eb antik q\u00eb punohej me gur\u00eb natyror\u00eb, nd\u00ebrsa n\u00eb format e p\u00ebrcaktuara qart\u00eb t\u00eb kontureve, ndihet jo vet\u00ebm ndikimi i prirjeve monumentale por edhe i vet\u00eb teknik\u00ebs s\u00eb mozaikut bizantin.<\/p>\n

\"\"Arti n\u00eb kishat e Shqip\u00ebris\u00eb<\/strong><\/p>\n

N\u00eb shekujt XIII-XIV n\u00eb vendin ton\u00eb u krijuan vepra t\u00eb shumta artistike, nd\u00ebr t\u00eb cilat dallohen ve\u00e7an\u00ebrisht freskat e manastirit t\u00eb Apollonis\u00eb e t\u00eb Rubikut, t\u00eb kish\u00ebs s\u00eb Vaut t\u00eb Dej\u00ebs, Maligradit n\u00eb liqenin e Presp\u00ebs, e shum\u00eb kishave t\u00eb kalas\u00eb s\u00eb Beratit, e t\u00eb tjera.<\/p>\n

Me vlera t\u00eb larta artistike jan\u00eb p\u00ebrgjith\u00ebsisht dhe ikonat e k\u00ebsaj periudhe. Ka midis tyre ikona me p\u00ebrmasa t\u00eb m\u00ebdha t\u00eb trajtuara n\u00eb m\u00ebnyr\u00eb t\u00eb gjer\u00eb q\u00eb tregojn\u00eb p\u00ebr ndikimin e piktur\u00ebs monumentale. Por nga fundi i k\u00ebsaj periudhe vem\u00eb re t\u00eb kund\u00ebrt\u00ebn. Ky fenomen u duk n\u00eb sistemin e cop\u00ebzuar dekorativ t\u00eb pikturave murale q\u00eb i ngjajn\u00eb m\u00eb shum\u00eb nj\u00eb ansambli t\u00eb p\u00ebrb\u00ebr\u00eb nga ikona t\u00eb vendosura pran\u00eb e pran\u00eb.<\/p>\n

N\u00eb nj\u00eb kish\u00eb tjet\u00ebr t\u00eb Shqip\u00ebris\u00eb s\u00eb Veriut, n\u00eb at\u00eb t\u00eb Rubikut 1272 jehon\u00ebn e k\u00ebsaj tradite t\u00eb lasht\u00eb e ndiejm\u00eb vet\u00ebm p\u00ebrmes disa elementeve ikonografike, nd\u00ebrsa nga fundi i shek. XIII dhe fillimi i shek. XIV ajo do t\u00eb ting\u00eblloj\u00eb edhe m\u00eb e zbeht\u00eb. Si element\u00eb oriental\u00eb mund t\u00eb cil\u00ebsohen objekte fare an\u00ebsore si jan\u00eb kapelat izraelite shum\u00ebngjyr\u00ebshe, t\u00eb cilat do t\u2019i pikturojn\u00eb me endje edhe piktor\u00ebt tan\u00eb mesjetar\u00eb t\u00eb m\u00ebvonsh\u00ebm.<\/p>\n

Ndikimet e artit per\u00ebndimor i ndiejm\u00eb fort\u00eb n\u00eb arkitektur\u00eb. Katedralja e madhe e Sergut dhe Bakut buz\u00eb lumit t\u00eb Bun\u00ebs n\u00eb Shkod\u00ebr. Kisha e Vaut t\u00eb Dej\u00ebs po n\u00eb Shkod\u00ebr t\u00eb dyja t\u00eb shek. XIII dhe nj\u00eb num\u00ebr kishash t\u00eb shekujve t\u00eb tjer\u00eb jan\u00eb t\u00eb stilit t\u00eb past\u00ebr romantik. Ndikime t\u00eb pjesshme t\u00eb arkitektur\u00ebs romanike vihen re dhe n\u00eb kisha t\u00eb stilit bizantin. \u00cbsht\u00eb interesante t\u00eb theksohet se piktura n\u00eb t\u00eb gjitha kishat e stilit romantik ka qen\u00eb bizantine. Tradita bizantine ishte aq e fort\u00eb sa nuk i dha asnj\u00eb mund\u00ebsi zhvillimi stilit t\u00eb piktur\u00ebs s\u00eb per\u00ebndimit. Nga ajo, piktura bizantine mori vet\u00ebm disa element\u00eb si\u00e7 jan\u00eb aksesor\u00ebt e et\u00ebrve t\u00eb kish\u00ebs, mitrat e skepterit, format e pergamenave ose edhe vet\u00eb mbishkrimet n\u00eb gjuh\u00ebn latine.<\/p>\n

Lidhjen e piktur\u00ebs son\u00eb t\u00eb shek.XIV me at\u00eb ballkanike e pikasim n\u00eb ornamentik\u00eb, n\u00eb p\u00ebrdorimin e motiveve t\u00eb rrath\u00ebve t\u00eb varg\u00ebzuar e t\u00eb pleksur me nj\u00ebri-tjetrin. N\u00eb fush\u00ebn e tematik\u00ebs k\u00ebt\u00eb lidhje e d\u00ebshmon p\u00ebrfytyrimi i shum\u00eb asketeve n\u00eb brezin e posht\u00ebm t\u00eb murit t\u00eb kish\u00ebs me shenjtor\u00ebt n\u00eb k\u00ebmb\u00eb, cikli i \u00e7udive si dhe pikturimi i portreteve n\u00eb fasadat e tempujve, t\u00eb cil\u00ebn e ndeshim dy her\u00eb tek ne, n\u00eb Apolloni e Maligrad t\u00eb Presp\u00ebs.<\/p>\n<\/div>

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